I’m reading a paper tomorrow about how Cultural Pluralism can solve some of the problems of Philippine Dance at the 2nd Fo Guang Shan Mabuhay Temple Conference on Humanistic Buddhism and Cultural Pluralism. Phew, that was a mouthful. This will be my second ever conference that I’m reading in my own country, and wouldn’t it be nice if you could come and listen to what I’ve been working hard at the last couple of years?
(That’s wishful thinking, I don’t actually expect anyone to come out to just hear me talk. Heh.)
I’m suddenly remembering one of my mentors telling me, “Why are you trying to solve the problems of folk dance for them?” – yes, with the implication that I am not practicing or studying folk dance, being a ballerina primarily writing about contemporary dance forms. But I like to think of myself as a scholar of Philippine dance, and the problems of folk dance are my problems as well, for how can I position ballet and contemporary dance in Philippine dance without considering everything?
That said, I’m all theoried out. I don’t want to write another paper for the rest of the year. I do not exaggerate this, because although there are only two months left to the year, I have to present another paper at the end of November. Which I haven’t written yet. Oh, kill me.
Back to the conference, there’s lots happening, such as workshops on tea ceremonies, vegetarian food, Chinese knots and calligraphy, theater groups discussing their processes, violin playing methods, Humanistic Buddhism and everyday life. I’d go even if I wasn’t going to read a paper. Come and join us. 🙂
Oh, and my group TEAM Dance Studio is performing at the Awarding of Certificates on Wednesday at 5pm. You know, in case you do decide to attend the conference, be sure to catch us there. We’ll be doing a dance that’s 9 years old, yet still a goody.